How to take another artist to the side...

Here's another test, but this time it is reaction to Kurt Kren. Introduced many film techniques such as quick edits, but a major benefactor of his work is the intensity, this is probably due to non-commodifiable practice of his works. The process of the works as thus, shots of my back, chest, back of head, front of head, left arm back and front, right arm back and front, left leg back and front and right leg back and front where shot of myself doing the same sequence, these where edited in 0.5 sec intervals (apart from the establishing shots) with the sequence in question in context still moving forward in time, this process was also then reversed, and the sound was created by using the diegetic sound of sequence by cutting and repeating a 0.1 cut of a sound...



The shots them selfs where not entirely in timed sequence, as I did not work out the speed of which to do the sequence, or even the exact movements I would do, though this is obscured by the quick edits. It is utmost importance, as much I do not desire final sequenced production of film, rather a collections of shorts which exist in a environment like a dream.